Skin Illustrator Palette - (LIGHT) FLESHTONE by Skin Illustrator

The colours available in the FLESH TONE PALETTE range from the palest of pink tones to the deepest rich yellow tones. The system contains skin tone colors with warming/cooling adjusters that are ideal for fine-tuning a skin tone mix that's a perfect match, or for creating a subtle bruising for close camera work. RICE PAPER, the staple of the palette, can be used as a white color to lighten a particular mix, or on its own to match the skin. You can use NATURAL 1 & 2 as the basis for most Caucasian tones. These colours already lean to the yellow side of a natural tone so you can decide how much warmth or coolness to add. If you need to warm the NATURALS, add a little CORAL ADJUSTER or ROSE ADJUSTER II. If you need to cool the tone, add a little OLIVE ADJUSTER I (liquids only) or VEIN TONE to achieve a beige colour. LAO 1 & 2 will be the basis for your yellow under-toned subjects. Start with these colours and you can lighten the tone with a RICE PAPER mix. To make your colour more beige, add VEIN TONE. To make your colour more olive, add OLIVE ADJUSTER II, and if you want to add a touch of golden quality, use the CORAL ADJUSTER. CEDAR BROWN is a warm yellow based brown that can add a tan to your actor or darken the 5 basic flesh tones. All of the colour adjusters have been formulated to intermix with the flesh tones.